Modeling continues their cinematic art punk on Somewhere Before, which very much sounds like a labor of love.
Fayetteville songwriter Jess Harp will soon release his debut EP, and one listen to his song ‘Nick Drake’ will hook you.
stepmom are starting to explode regionally and this will be their first time in Fayetteville.
Written before the pandemic, Squirrel Flower’s record Planet(i) is a gorgeous and moody exploration on disasters and how we get through them.
Kirby’s new album is a concise listen that takes big chances. It’s rare to hear a record without a wasted moment, especially a debut.
In addition to her own records, Lattimore has recently released a collaborative record with Mac McCaughan of Superchunk, and contributed harp to records by Kurt Vile, Thurston Moore, Sharon Van Etten and Hop Along.
It’s no secret that the band is among Fayetteville’s best – and certainly the heaviest.
Presley’s record label has just released new records from Buck Meek (of Big Thief), Sun June, and Katy Kirby.
Yes, it’s that good. One of the best I’ve heard from a Fayetteville band.
After some time in New Orleans, Shoulders is back in Fayetteville. He’s got a new solo record on the way, and a new record label.
At the beginning of the year, locals White Mansion released their debut record and were on the verge of big things.
The best songs open doors, and DOT have always built exciting and tangible portals with vibrant worlds inside.
The Messthetics is the new band from former Fugazi rhythm section Brendan Canty and Joe Lally.
Laura Stevenson’s The Big Freeze is a masterful record that is undoubtedly her best, and rare in the way that it demands to be heard in its entirety.
The band’s thick and lived-in sound is instantly gripping, and nuanced enough to require further listening.